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Michael Tratner: Derrida's Debt to Milton Friedman. 
This article is licensed under the Creative Commons. In the essay Given Time: I. Counterfeit Money, Jacques Derrida says it is important to trace the literary consequences of certain events in economic history: "To study, for example, in so-called modern literature, that is, contemporaneous with capital - city, polis, metropolis - of a state and with a state of capital, the transformation of money forms (metallic, fiduciary - the bank note - or scriptural - the bank check), a certain rarification of payments in cash, the recourse to credit cards, the coded signature, and so forth, in short, a certain dematerialization of money, and therefore of all the scenes that depend on it." [1] The transformation Derrida describes is part of the development of late capitalism; though his essay analyzes a short story by the nineteenth century writer Baudelaire, the transformation away from "metallic" to "fiduciary" forms of money officially occurred in the twentieth century, as did the spread of credit cards and coded signatures. As the economic historian Randall Hinshaw notes, during the twentieth century "commodity money is gradually being displaced by fiduciary money . . . in 1937, gold or commodity money made up about 91% of the world’s monetary reserves . . . this figure had dropped to 49% in mid-1966." [2] In other words, fiduciary money became the dominant form of money at just about the time that Derrida began developing his literary theories. [See also: The Gift – Mauss, Bataille, Hyde, and Derrida.]
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